︎THE VIRTUAL SUBLIME: FRASER AUSTIN’S TOTALLY THERE (2012)
By Tim Gentles

︎RADIO, RADIO: ZITA JOYCE, IVAN MRSIC, SALLY ANNE MCINTYRE & JAY HOLLOWS’ SIMULCAST (2013)
By Andrew Clifford

︎AN ARCHIVE GROUND DOWN, BENEATH HEARING: SAM LONGMORE’S MEMORIALS TO ACTIVE LISTENING (2013-2014)
By Sally Ann McIntyre

︎ORB: PLACING INTO VIBRATION (2022)
By Teresa Peters, Cheryl Farthing & Torben Tilly 

︎FUTURE STRATA: CHARLOTTE PARALLEL’S UNSTABLE CONTACTS (2022)
By Robyn Maree Pickens

︎OCTOBERCIRCLES: RESPONDING TO WORK BY DANIEL STRANG (2024)
By Campbell Patterson




 

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Image Credits: Exhibition Texts: Sarah Callesen - exhibition poster

SoundBleed is an online journal of critical writing around sound in NZ/Aotearoa – a forum for discussion around sound-related activity and practice.

HOME

LINKS



SoundBleed is an online journal of critical writing around sound in NZ/Aotearoa – a forum for discussion around sound-related activity and practice.

Image Credits: Exhibition Texts:
Sarah Callesen - exhibition poster