octobercircles 


A text by Campbell Patterson responding to work by Daniel Strang





The following text, octobercircles, was written by Campbell Patterson in response to the exhibtion of VINYL by Daniel Strang.







Exhibited at the Audio Foundation in November 2024, VINYL was a cinematic take on plunderphonics, a crate dive through 100+ years of cinema history, culminating in an audiovisual composition made from 181 sampled films featuring gramophones/record players and the sound/music played within the shots. This tradition was playfully explored via the representation of vinyl/shellac records in cinema history, from Max Linder’s Seven Years Bad Luck (1921) to Ned Benson’s The Greatest Hits (2024), as subject.1


More information about this exhibition can be found here

7 - 30 November, 2024
Audio Foundation
Hours: Tues-Sat 12pm - 4pm









1. “Plunderphonics, or Audio Piracy as a Compositional Prerogative” as presented by John Oswald to the Wired Society Electro-Acoustic Conference in Toronto in 1985.



 

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Image Credits: Exhibition Texts: Sarah Callesen - exhibition poster

SoundBleed is an online journal of critical writing around sound in NZ/Aotearoa – a forum for discussion around sound-related activity and practice.

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SoundBleed is an online journal of critical writing around sound in NZ/Aotearoa – a forum for discussion around sound-related activity and practice.

Image Credits: Exhibition Texts:
Sarah Callesen - exhibition poster